For over a decade, I was a wedding photographer. I built a thriving business, shot weddings across the U.S. and Europe, and saw my work published more times than I can count. I learned how to create beautiful things for other people—and how to do it really well.

But eventually, the work stopped feeling like mine.

So I pivoted. More than once. I got tired of being boxed in, so I built my own lane.

I started turning the camera on myself. Taught myself advanced post-production in photoshop. Built surreal, cinematic visuals that finally matched what I saw in my head. And when AI showed up, I didn’t panic—I adapted. I’ve always been that way. I learned just enough HTML at 13 to make my Angelfire site look exactly how I wanted. I’m not afraid of new tools. I just want to make what I want to make.

Now, I use AI, Photoshop, and storytelling to create layered, strange, emotionally charged art—some of it visual, some of it written, some of it wearable. It’s all connected. And it all comes from the same place:

Making work that’s bold, rebellious, and rooted in vision—not trends.

Can I still make images that look like they belong in a magazine? Absolutely.

But I’d rather make something that stops you in your tracks.
That feels like truth.
That leaves a mark—whether you like it or not.

And more than anything, I want to help other creatives do the same—whether that’s through mentorship or freelance work that supports and brings your vision to life.